I don't usually care for live rock records. even though I've been part of a few good ones. live jazz? absolutely. live classical? a must. but many live "rock" recordings have a hollowness like something is missing from the sound. most live rock records leave me wishing for the well-produced studio version. that's just my opinion. which explains why I have not made a live solo record until now. maybe it's because I've lived my life in a recording studio where things are never out of tune (at least not for long) and the sound is rich and full. maybe that's why I was so dumbfounded upon hearing the first 7 side four mixes.
I loved it! it gave me chills.
I felt that rare thing: passion.
the one component so favorable to a live record is the energy.
many live records today (in the "Idol Era") are heavily processed to iron out the imperfections. you're not going to have a "star" allow their voice to be out of tune. many records have added parts to enhance what could not actually be "performed". in a time when nearly everyone has ProTools it would be rare to hear something that wasn't doctored to death. those records are more hydrid studio/live than an actual "record" of the event and they somehow drain the synergy from the performance.
the passion and energy of side four makes it impossible for me to want to "doctor" anything. it sounds and feels like people voraciously enjoying playing music. eric and julie shine.
it sounds like a hot ass trio breathing together (pardon my french.)
I can't wait for you to hear it.